What I Saw and How I Lied

Judy Blundell, What I Saw and How I Lied, 2008, Scholastic.

At last, a book that might just deserve its award.

1947

Queens, NY.

Evie, who has never known her biological father and grew up in the shadow of her mother longs for the day when she can be considered a 'grown-up' (which means being able to wear lipstick and smoke cigarettes). At the same time she is adjusting to life in post-World War II America where rations are a distant memory and her stepfather Joe Spooner is a living breathing prescence instead of words on a page.

When Joe whisks Evie and her mother off to Florida even though the school year has just begun, Evie doesn't see anything suspicious about this. Nor does she see anything fishy about the arrival at the hotel of Peter Coleridge, a handsome ex-GI who served in the same postwar company as Joe. Evie, of course falls in love with Peter and pursues him to her mother's displeasure. At the same time there is an undercurrent of tension and mystery despite the friendship of the Spooners, Coleridge, and the Graysons' (a couple her parents become friends with at the hotel). Instead the stage is being set for lust, murder, and betrayal, all of which leave Evie having to confront what really happened and who she needs to protect.

While it was not immediately obvious I don't think it was difficult to see where the story was going and how it would end. I loved that the plot had echoes of film-noir mystery and Old Hollywood glamour. Evie herself is a likeable protagonist whose difficult choices evoke the sympathy of readers. But what I liked the most is that the book dispells the notion that after World War II the soldiers came home, picked up their lives, moved to the suburbs, gave birth to the Baby Boomers and all was well and good. Instead the author takes the time to point out the hypocrisy that a country which helped close concentration camps would allow anti-Semitism to exist on its own soil. Fortunately this is done in a thought-provoking and subtle way without pounding you over the head but letting you draw your own opinion. The author also explores the lengths we go to protect the ones we love.

Overall, an excellent read and I understand why the book won the National Book Award for Young Adults.

Straight Science Fiction

Last week while I was sitting at the Circulation Desk a teenage girl came up to me and asked for help finding a science fiction book to read. The kicker was, her teacher absolutely refused to accept anything but straight science fiction and absolutely, positively NO crossovers into such genres as horror or fantasy. This left me scratching my head for a minute.

Which it shouldn't have.

I mean how many of you automatically thought of Douglas Adam's Hitchiker's Guide to the Galaxy or Orson Scott Card's Ender's Game? Because I didn't. At least not at first.

Fortunately I'm not the only one at my library who reads books from the young adult section; my co-worker S. happened to overhear the girl and suggested those, along with a couple others: practically anything Scott Westerfeld, Mary E. Pearson's The Adoration of Jenna Fox, and a couple of ones from the adult section which I don't remember now.

The girl ended up checking out Westerfeld's Uglies and I was left with the realization that here was a genre amongst Young Adult Fiction which I was sorely lacking in experience. This is something which must be remedied so I'm asking whoever is out there to send your recommendations my way. It doesn't have to be 'straight science fiction' as this girls stubborn teacher was insisting (so it can have cross-over appeal) but it does have to be written for or something that appeals to a young adult audience.

I can't wait to hear your recommendations!

13 Reasons Why

Jay Asher, 13 Reasons Why, 2009, Razorbill.

Hannah Baker committed suicide. But not before she left behind 13 tapes explaining exactly what and who it was that drove her to make the decision to die. Clay, who had a crush on Hannah, is one of the so-called “Baker’s dozen” [13 people] to receive the tapes with the command to listen and pass them on, lest their sins be revealed to a much larger audience. The problem is, he doesn’t belong on this list. Or does he?

In this work Jay Asher forces us to acknowledge the difficult truth of many teen suicides: it was not the individuals alone which brought them to that point. The tapes of Hannah Baker go completely against the usual psycho-babble which we are often treated to when someone kills them self (“It was no one’s fault”). Instead his protagonist has no trouble making sure those responsible know exactly what part they played in her decision.

Books dealing with suicide can be tough ground to cover in the young adult literature world. Part of this is because the topic is often one which teens are all too familiar with; which is not to say that people (parents, educators, librarians) should work themselves into a frenzy thinking that all teens are suicidal. These books are also difficult to write because they can all too easily become preachy works which end with the requisite supplemental material where *you can find help*.

Yet Asher has succeeded with a book that leaves the reader feeling every bit as voyeuristic as you imagine the characters must feel listening to Hannah measure out blame. The message is not an upbeat one—but one could hardly expect that from a work dealing with teen suicide. What it succeeds in doing, most poignantly at the end, is in reminding us that sometimes even the smallest dramas have larger repercussions. A fact which cannot be understated when dealing with teens.

Technorati Tags: jay_asher,suicide,tapes,tough_issues

A short review to whet your YA fiction reading appetites.

Does My Head Look Big in This? by Randa Abdel-Fattah (NY: Orchard Books, 2007).

This book reminded me a LOT of Looking for Alibrandi [by Melinda Marchetta] because 1.) it's about living with a hyphenated identity as a teen; 2.) it takes place in Australia; and 3.) There is a crazy old lady who ultimately teaches the main character, Amal, a lesson about life by revealing her own big secret.

The plot centers around Amal, an eleventh grader who decides to take up the practice of wearing hijab (a head-scarf in her case) to demonstrate her faith, and the reactions of family, friends, and strangers that ensue, thereby causing her to rethink many aspects of her own life in addition to who she thinks she is.

While Amal’s exploits do not even remotely resemble those of the often, shall I say over-exposed teen in some ya fiction, her sense of ethics feels authentic. I also appreciated the frank discussion of the importance of faith in her life without it becoming too preachy nor something that teens who do not practice her religion (or any at all) cannot relate to.

I'm back! With my degree and only a part-time job in hand, mind you, but new reviews will be forthcoming.